Ervin Munir, The Interview Series.

How did your songwriting process for “Pure and Simple” differ from “Broken Compass”?

My songwriting process hasn’t changed between both albums. The one exception is with the new album title track “Pure and Simple” where Tim Levey wrote the original lyrics. I added the middle-8 lyrics and adjusted a few of the rest. At this point I felt inspired enough to complete the song. 

I still look for inspiration from the world around me and from my personal experiences.

What inspired the emotional depth and drum solo in “Felixstowe”? 

It was a grey rainy day in Norfolk. I was feeling low, I guess. I had been playing “Old Man” by Neil Young and I liked the F to D chord change that it has in it. I played around on the guitar and got a nice chord sequence by adding a G chord.

“Felixstowe”, at the time, was just a placeholder word destined to be replaced at some point. I googled “Felixstowe “ and found that it has a ferry. The songwriting took on a life of its own and I imagined a grey, wet, dank ferry town and a breakup song. 

The drum solo came about because the overwhelming feelings in the songs were loneliness, sadness and anger. I imagined a lone drummer in a boat house thrashing out these feelings as the ferry, with his love on board, left. My producer Aeron Z Jones immediately got it and the drum track came to life. 

I’m pleased to say that “Felixstowe”, and two other tracks (so far) from the new album, have been played on BBC radio. 

How did working with Aeron Z Jones and Tina Blaber shape the album’s sound?

Aeron always has a huge influence on the sound of every track. He’s a skilled musician and multi-instrumentalist. We work well together and the ideas he brings to each song are usually good ones. I give him space to be creative and he does just that. This was the same on my previous album “Broken Compass”. 

I’ve worked with Tina Blaber for many years. She has a spectacular voice and some songs I write really need her female vocal. She is often on my mind when songwriting. It’s great knowing that she will deliver what I need. She sings on “King” and “Doors”.

Tina and I have recently released a co-written single called “The Book” featuring Cutting the Mustard. On this song I play acoustic guitar and sing backing vocals and Tina sings lead vocals. Aeron Z Jones also produced it.

What does the title track “Pure and Simple” represent to you?

It surprised me how much I identified with the words in this song, especially as the original lyrics were written by someone else (Tim Levey). I do like things pure and simple, I’m not that great with change, I like to know what I’m doing in most things, and, like many people I want to love and be loved.

What do you want listeners to take away from “Pure and Simple”?

I’d like people to realise that there’s lots more to come from me musically. I’d like them to come with me on the journey. 


Photo Credit: Ervin Munir.

Ervin Munir, ‘Pure And Simple’

Words By Joey Rochert.

Ervin Munir returns with his second studio album, “Pure and Simple”, which is out now. Ervin demonstrates here his powerful heartfelt storytelling, delivering an introspective collection of songs that explore love, sorrow, loss, and self-discovery with profound sincerity.

The album is a blend of folk sensibilities with unique musical arrangements and it strikes a perfect balance between raw emotion and polished craftsmanship. Collaborations with skilled musicians elevate the record’s depth, notably Aeron Z Jones, whose bass, electric, and slide guitar work adds a dynamic edge to several tracks.

It is an album which you can get play time and time again and enjoy something different and it will be stuck on repeat I am sure!


Photo Credit: Ervin Munir.

Ervin Munir, ‘Break Me’

Words By Joey Rochert.

Ervin Munir’s latest single, “Break Me,” is here, and it’s a beautifully raw exploration of heartbreak and healing. The Norfolk folk singer-songwriter has once again crafted a track that connects on a deeply emotional level, drawing listeners into the intimate vulnerability that comes with the end of a relationship.

With his warm vocals and acoustic guitar at the forefront, Ervin delivers a performance that feels both personal and relatable. The song’s richness is elevated by Aeron Z Jones, whose soulful electric guitar, piano, and bass add layers of texture and depth, making “Break Me” linger long after it ends.

Lyrically, the track captures the painful yet transformative process of moving on, exploring introspection and acceptance in a way that feels honest and cathartic. It’s a reminder that even in heartbreak, there’s beauty and strength to be found.


Photo Credit: Ervin Munir.

Ervin Munir, ‘Did I Miss It’

Words By Joey Rochert.

Ervin Munir’s new track “Did I Miss It” just landed, and I can’t get enough of it. He’s really nailed that whirlwind feeling of falling for someone fast—like he’s singing right from his own heart into ours. The acoustic guitar is warm and grounding, and when Aeron Z Jones brings in those electric guitar riffs, it’s like the song lifts off.

Ervin’s vocals are also genuine; you feel every lyric as he sings about that first spark and the rush of emotions that follow. After loving his last track, “My Heart,” I was excited for this one, and it doesn’t disappoint. Folk fans, this is one for you!


Photo Credit: Ervin Munir.

Ervin Munir, The Interview Series.

What inspired the lyrics for “Going Nowhere”?

My girlfriend (Dorothy) at the time was a very independent woman, whereas I was abandonment phobic. This song is about my relationship insecurities then. 

How did Sophie Ellis-Bextor’s style influence this track?

I was listening to her songs around the time I wrote it. Obviously, my songs are very different from her pop/dance stylings. We are completely different artists. But I always felt the bridge in “Going Nowhere” was reminiscent of one of her songs (I wish I could remember which one). Also, the conversation I’m having with my girlfriend in the song reminds me of the conversations Sophie Ellis-Bextor has in many of her songs.

How do you blend folk, country, and pop in “Going Nowhere”?

It’s not a conscious choice to do so. Influences are in my head and that’s what comes out. I often aim for a strong chorus and the instruments I use lean towards folk/country. 

What message do you hope listeners take from “Going Nowhere”?

It’s ok to be insecure, but you need to talk about how you feel with your partner. 

Can you tease any details about your upcoming second album?

There will be 10 or 11 tracks. “Felixstowe”, “Chase the Moon”, and “Going Nowhere” will be on it. There is also a short song about my dog Maggie on it (she died in May 23).


Photo Credit: Ervin Munir.

Ervin Munir, ‘My Heart’

Words By Joey Rochert.

‘My Heart’ is the new single by Ervin Munir and it has a warm feel, perfect for the changing season we are in currently. But, the lyrics are quite the opposite to the warmth generated by the music. Moreover, Ervin speaks about the challenges of feeling lonely in a relationship, mostly when we feel shut off from our partners.

The music is beautifully crafted and in terms of musical ability, Ervin and his producer Aeron Z Jones step it up a gear here! I also really enjoy the guitar solo in the later parts of the track and the fast-paced finale!

You can take a listen below.


Photo Credit: Ervin Munir.

Ervin Munir, ‘Felixstowe’

Words By Joey Rochert.

Ervin Munir, Norfolk’s very own folk trailblazer welcomes us to his new release, ‘Felixstowe’. Well, Ervin, you have us gripping to this one! Gifted with an ability to tell stories through his music, Ervin’s heartfelt message sends shivers down my spine as he speaks about breakups and the realities of losing a loved one; his storyline really hits me deep!

The music is slightly different to what we have heard before from Ervin. The press release states that this track actually came to life after Ervin was inspired by the chords of ‘Old Man’ by Neil Young. Yes, I can hear that slightly, but this has ended up a very unique piece in its own right. The music here is really really good! In fact, I would be brave enough to say that it may be my favourite song from Ervin Munir.

You can take a listen below.


Photo Credit: Ervin Munir.

Ervin Munir, The Interview Series.

Hello, Ervin! What inspired the theme of seizing opportunities and pursuing aspirations in “Chase The Moon,” and how does it resonate with your personal experiences?

This song reflects my music career to date. To make it in the music business you need to take risks artistically and physically (by putting yourself out here) to create a unique impression and to get known. Fear is what has held me back in the past and I feel like I’m finally conquering it. 

Can you walk us through the creative process behind “Chase The Moon,” from its inception to its final production?

The trigger for this song was a thriller series I was watching on Sky TV. The protagonist said “Let’s chase the moon” or something like that. I stopped watching and went immediately to my studio and began writing. 

I hit on a theme of travelling to exotic places as a metaphor for taking risks, and began writing the lyrics. I felt that it needed to be a simply structured song to more easily get the message across. 

I sang a melody in my head for the first line and a chord sequence emerged.

It was one of my quicker songs to write. 

Collaborations often bring fresh perspectives and new dimensions to music. How did working with Aeron Z Jones on lap steel and mandolin accompaniments influence the sound and feel of “Chase The Moon”?

I play this song live a lot, so I was already happy with the acoustic version. But Aeron’s sensitive playing of the mandolin and especially the lap-steel guitar gave the studio version much more depth and interest. He also played a bit of classical guitar on it I think and that little solo is really nice. I really like working with Aeron in the studio. I recommend him.

“Chase The Moon” seems to mark a significant evolution in your musical style. Could you share any intentional artistic choices or explorations you made in this single that differ from your previous releases?

It’s one of those things that I don’t want to investigate in depth because it feels fragile and I might break it. I haven’t done anything consciously to change my musical style. 

That said, these days  I am more willing to explore sounds beyond the acoustic soundscape I usually use. This doesn’t really show itself so much in “Chase the Moon” but is more obvious in some of the other singles, and the album, I’ll be releasing later this year. 

With the release of “Chase The Moon” and the promise of more music to come, what overarching message or journey do you hope to convey to your audience through your upcoming releases, including the anticipated second album?

I think people will see an evolution in style over time, and like both the stuff on “Broken Compass” (2023), and the stuff on the new album. Most people that follow me know I am on a journey and they have been impressed with what they have heard so far. I hope they continue to follow me as I take more risks and chase the moon on this journey. 


Photo Credit: Ervin Munir.

Ervin Munir, ‘Chase The Moon’

Words By Emily Kowalczyk.

I recently got sent Ervin Munir’s latest track, “Chase The Moon,” and it’s left a strong mark on me. With each strum of Ervin’s acoustic guitar, I felt myself drawn deeper into the wall of sound he delivers. Also, what sets this track apart is the accompaniment of Aeron Z Jones’ lap steel and mandolin.

Their collaboration is one to rave about! it breaths new life into Ervin’s already distinctive playing style. Moreover, the interplay between the instruments adds layers of depth and texture, elevating each track to new heights.

As someone who’s been a fan since Ervin’s “She Never Made Old Bones” days, I can confidently say that “Chase The Moon” is a bold step forward in his musical journey. It’s a track that demands to be listened to, not just heard, and one that will linger in your mind long after the final chord fades away.

You can stream below.


Photo Credit: Ervin Munir

Tanya Walker, The Interview Series.

Hello, Tanya, Let’s talk about your new single, ‘Good Days, Bad Days’, what is the meaning? 

I wrote the song when I was 32 so some time ago. I had just come out of a painful breakup and was re-focusing on my music again – and at the same time feeling regretful about things I had not yet achieved in my life.

I went away on a  3 day meditation retreat where I had the opportunity to notice the thoughts and emotions that are constantly changing within us  and was able be with and accept them – recognising that just like the seasons or changing weather – our  emotions are the same –  like the sun follows rain, if we can be with our more painful emotions they will lift to reveal the light within us. It’s also about there being no point to regret, as we will miss the beauty of the present moment.

Which artists in the current industry inspire you the most?

Joni Mitchell is still being discovered by younger artists and she had a huge influence on songwriting when I first began at 16 years old. The tender, poetic expressiveness of her lyrics and the way her voice then expresses their meaning captures my heart and I am in awe of everything her music is.

Kate Bush , although an artist from the past, has also been a huge influence in my life and I really respect her ability to keep progressing with her music to recreate herself and still be relevant. I love blasting her music, singing at the top of my voice and doing some free movement around the living room!

Billie Eilish I think is an incredible artist, especially for her age. Profound songwriting for such a young age and the textural quality of her voice is spellbinding.

What is the best thing about being a musician in 2024?

After COVID I don’t think we can ever take for granted being able to perform with fellow musicians to a live audience. So playing live will be great in 2024. I won the Global Talent Is Timeless songwriting competition in 2023 and towards the end of the year recorded my winning single at Abbey Rd which has just been released. I’m really looking forward to 2024 being about building on this success and connecting with new listeners through more new releases and a small UK tour. I cant wait!And every year I get older, I feel more relaxed when gigging live, meaning I enjoy the whole experience that much more!

Is there a certain place you often go to write? E.g a certain room, or environment?

Strangely  I get some great ideas in the car and end up recording myself on my phones voice record. I think it’s because part of my brain is driving so its preoccupied with that and there is no pressure to come up a with a song so it just naturally arises. My favourite place though is most definitely on my upright piano which dates back to 1830 and which belonged to Gustaf Holst’s piano accompanist (who helped him write his works in later years which he was unable to do due to arthritis). Its been passed down through the family and has the most beautiful harmonics and resounding sound which inspires many songs!

What is your first memory of music?

Singing ‘Lully, Lullay’ whilst playing the main part of Mary in the school Nativity when I was 5!


Photo Credit: Tanya Walker