Julia Thomsen, ‘Beauty’

Words By Joey Rochert.

In the ethereal expanse of classical composition, where each note is a brushstroke upon the canvas of the soul, Julia Thomsen’s ‘Beauty’ emerges as a serene gem, resonating with the tender essence of spring.

With delicate keystrokes, Thomsen paints a landscape of tranquility, inviting us to wander through the verdant pastures of our imagination. The piano becomes her vessel, carrying emotions as fragile as blossoms in the breeze, each melody a whispered secret shared with the heart.

As the first strains of “Beauty” unfurl, one cannot help but be enveloped by a sense of serenity, as if the very essence of spring has been captured within its melodic embrace. “Beauty” also finds its home amidst the celestial gathering of talents in “Harmonies of WoMen,” a compilation album celebrating the prowess of female pianists from across the globe.

You can take a listen below.


Photo Credit: Julia Thomsen.

Julia Thomsen, ‘Travelling Through Wonders (Rework)’

Words By Joey Rochert.

Julia Thomsen’s latest rendition of “Travelling Through Wonders” is a mesmerizing exploration of celestial realms and emotional depth. Collaborating with Marie, Thomsen presents a reimagined version of this classical piece that enchants and evokes deep reflection.

The charm of this interpretation lies in its ability to carry listeners to ethereal dimensions where time seems suspended and reality melds with imagination. Thomsen’s delicate craftsmanship, combined with Marie’s harmonious contributions, imbues the composition with layers of depth and complexity, inviting listeners to immerse themselves in its melodic embrace.

Throughout “Travelling Through Wonders,” Thomsen and Marie conjure a vivid experience, rich with emotion and nuance. From the graceful piano melodies to the celestial synth harmonies, each element is meticulously crafted to evoke a specific mood or sentiment, creating a profound connection with the listener.

What distinguishes this rendition is the sheer elegance and refinement of Thomsen’s composition. There is a graceful poise in her approach that resonates deeply, as if each note carries a whisper of her soul, stirring the hearts and minds of those who listen.

You can take a listen below.


Photo Credit: Julia Thomsen.

Julia Thomsen, ‘Serenity’

Words By Joey Rochert.

‘Serenity’ by Julia Thomsen is the perfect escape this January. With calming textures and plenty of emotion, this new piece from Julia radiates stress-free vibes and it is impossible not to fall in love with the soundscape!

Arguably one of the most striking composers to grace the air in recent times, Julia Thomsen bolsters her name with this new delivery. She provides serene joy through her work, and she takes us to a place where calm belongs. Her piano work rivals some of the best players in the game right now and she proves why she is becoming a leading force in neo-classical.

You can take a listen below.


Photo Credit: Julia Thomsen.

Julia Thomsen, ‘Journey Through The Seasons’

Words By Joey Rochert.

‘Journey Through The Seasons’ by Julia Thomsen is a classical piece that blends my two greatest passions: nature and classical music. As a fervent admirer of the natural world and a connoisseur of classical compositions, this single is a harmonious marriage of my heart’s desires.

Thomsen’s instrumental masterpiece acts as a mellifluous bridge between the beauty of the natural world and the power of 2023 classical music. The tranquil melodies evoke the gentle sway of leaves in the wind, the soft rustling of a babbling brook, and the serenity of a sun-kissed meadow. Each note resonates with the essence of nature’s seasons, offering a profound connection to the earth’s rhythmic cycles.

The absence of lyrics allows the music to speak its own eloquent language, much like the whispering winds or the gentle murmurs of a forest. Thomsen’s piano and strings transport me to the heart of nature’s embrace, making me feel as though I’m strolling through a pristine woodland or gazing at the stars on a clear, moonlit night.

You can take a listen below.


Photo Credit: Julia Thomsen.

Julia Thomsen, ‘Little Miracles’

Words By Joey Rochert.

‘Little Miracles’, the latest composition by Julia Thomsen, is a musical ear-worm that resonates deeply, inspiring us to see the inherent goodness in the world. The enchanting allure of this piece has captivated our hearts, leaving us yearning for more. Also, Thomsen’s creativity envelops us in a blanket of tranquility, akin to the gentle touch of a warm wind.

In the realm of composing, Julia Thomsen has firmly established herself as a beacon of light. Her talent for crafting captivating melodies and evoking emotional harmonies sets her apart. With “Little Miracles,” Thomsen effortlessly transports us on a journey to nirvana. The experience seamlessly weaves itself into the fabric of our consciousness, leaving an indelible mark on our souls.


Photo Credit: Julia Thomsen.

Julia Thomsen, ‘Eternal Love’

Words By Joey Rochert.

Julia Thomsen’s new composition ‘Eternal Love’ which is out on Friday April 28th is a beautiful gem that is a must-listen for anyone looking for a serene and contemplative musical experience.

Thomsen’s use of live strings and piano tones in the composition is stunning, creating a dreamy and ethereal atmosphere that feels both timeless and deeply rooted in the natural world. The combination of the two instruments, makes for a rich and layered soundscape that is both soothing and awe-inspiring.

Also, what stands out on ‘Eternal Love’ is the way Thomsen masterfully blends different musical styles and genres to create a unique and enchanting composition. The classical elements of the live strings and piano are seamlessly woven together with an ambient aura, resulting in a sound that is both traditional and contemporary.

It is out on April 29th, you can presave here.


Photo Credit: Julia Thomsen.

Julia Thomsen, ‘Saranghae’

Words By Joey Rochert.

We are utterly mesmerised by the most recent piece that Julia Thomsen has created, which is titled ‘Saranghae’. This song by Julia is really breathtaking, and it is well deserving of a place among the very best examples of its sort that can be found. Julia manages to capture the peacefulness of the environment around us, providing us with a brief relief from the craziness of our days and allowing us the opportunity to unwind and have a more optimistic outlook on the world.

On ‘Saranghae’, which is a continuation of her past releases, she displays her fervent playing on the piano, and we witness her once more finding her way into our hearts. She is a consistent composer who also pushes the boundaries of not just the modern classical genre but also her own discography.


Photo Credit: Kingdumb.

Julia Thomsen, ‘Travelling Through Wonders’

Words By Joey Rochert.

Julia Thomsen teams up with producer Marie for a one-of-a-kind remake of her standout composition, ‘Wonderness’. The new release, which is called, ‘Travelling Through Wonders’ reaches the pinnacle of beauty and leaves one in a state of relaxation.

For all of you who practise mindfulness meditation, this one is your golden ticket to a relaxing getaway! It is enchanting from the first note, and that aura of tranquillity does not fade away as it continues along its road of enchantment. The arrangement that Julia came up with is magnificent, and she is brimming with passion. In addition, Marie provides an additional layer of shine, resulting in a new vitality that contributes to the original.

‘Travelling Through Wonders’ is out on the 27th of January.


Photo Credit: Kingdumb.

Julia Thomsen, ‘Angels of Peace’

Words By Joey Rochert.

Julia Thomsen encaptures the serene air flowing as we lead up to Christmas with the release of her new composition, ‘Angels of Peace’.

The latest release from the British composer is better than any of our wildest dreams could have imagined it being. In addition, Julia surrounds us with her lovely arrangements, which bring the spirit of the holiday season to the forefront and provide an opportunity to cleanse and reflect now the year is concluding.

Because it is so potently moving, this piece has a glimmering quality, as if it were meant to be the soundtrack of a blockbuster movie in Hollywood.


Photo Credit: Julia Thomsen.

An Vedi, The Interview Series.

Words By Joey Rochert.

Hello, An, Let’s talk about your new album, ‘ConTempoRary Violin’, where did you find the inspiration? 

You know, inspiration is a very “dangerous” phenomenon. An artist may have an inspiration, but it is never endless. I have been used to working hard since childhood. And the violin is the instrument that itself gives inspiration to those who love music. In his youth, a violinist must practice every day for many hours, regardless of the weather, mood and surrounding events.

I made many concert programs of music for solo violin, I experimented a lot in this field. I have more than 200 works for violin solo in my repertoire, including pieces written by different composers especially for me and my own music. But I wanted to make this album special and not like what prevails in the music industry in this genre. It took me a long time to choose the right music for this album. 

A few months before the recording of this album, I released several songs in different genres as a singer-songwriter. I also worked on several new concert programs for the Philharmonic as a solo violinist. Finally, I chose one of the most difficult works by Johann Sebastian Bach for solo violin – Partita No 2, consisting of 8 movements. This, perhaps, could be called “the first side of the reel.” For the “second side of the reel” I chose works that were written in the 21st century: the mystical “Starless Nocturne” by Jay Reise, the delightful oriental “Heyran” by Jan Tamzejian, a real musical “mini-series” about Space “The Birth of the Universe” by Colette Mourey and the mysterious Sonata No 2 by András Derezckei, movements of which are called “Amorf” and “Nervus”. I also remembered that I wrote one piece in 2019 in one night. I made a new version of this Fantasy “Cranes” and this work completed the album “ConTempoRary Violin”.

I decided to take this project entirely into my hands, so I was fully engaged in recording, sound engineering and production of the album. The album came out in August, and my two music videos for tracks from the album “Starless Nocturne” and “Heyran” came out in September. These music videos have already received official selections and nominations at several international film festivals and music awards.

Which composers in the current industry inspire you the most?

I am inspired by those composers with whom I am well acquainted. My teacher, composer, and professor at the Conservatory Alexander Koblyakov is a very important person in my musical life. I was a student in his composition class and in a few years I found my own “language” of instrumental music, and later I transferred this knowledge and experience to songwriting.

I am very glad that my friends-composers whose music I performed at the Philharmonic this year became Grammy® winners and nominees. Danaë Xanthe Vlasse, Nadeem Majdalany, Tom Nazziola, as well as John Finbury (Latin Grammy® 2020) and other composers that I know – all of them are a true inspiration for me.

Recently, I joined the project of an amazing composer with a difficult fate – Mehdi Rajabian. Just google his name and you will understand that this is a true warrior of art who lives for music. Of course, his life story might inspire anyone.

An Vedi
Photo Credit: An Vedi.

What is the best thing about being a composer in 2022?

I’m not sure if this is the “best”, but, as in past centuries, being a composer is not enough today. Now we have a lot of tools for creating digital content, including music, and, theoretically, every person who has downloaded DAW can call himself a composer. But let’s remember how the composers of the past lived. It seems they never slept or ate. Bach, Handel, Mozart and other composers of classical music created hundreds of works during their lifetime. Tons of music paper, ink. Years of rehearsals. Decades of live performances. And they had to go somewhere every day so that people could hear them. And no sound recordings. Of course, we do not know how the fate of digital content carriers will turn out in 100-200 years, but in the present and foreseeable future, every composer can be sure that almost every person on our planet can hear everything that he has composed and recorded.

Is there a certain place you often go to write? E.g a certain room, or environment?

It may be like the story of the violin. Sometimes I “need” to compose, at least a little. And here the environment plays little role. But, objectively speaking, I visited many countries and cities for my musical affairs, I was in many palaces, museums, and exhibitions. I have many memories of beautiful places on our planet and this inspires me.

Sometimes it inspires me that I just see a piano or a guitar and I urgently need to play one of these instruments and write something down in a notebook.

But there were also some rather strange cases. Once I was at a jazz big band concert in a large concert hall with several thousand seats. And I suddenly had a desire to write down one song and even an arrangement for it. And it was not a jazz song, but something like an anthem or a chant. Since I was sitting on the balcony and there was almost no audience next to me, I wrote down the music and lyrics on a sheet of music paper, while the well-known jazz melodies of the 20th century sounded on the stage.

What is your first memory of music?

When I was 2 or 3 years old, my parents (they are not musicians, but they love music) bought cassettes with popular classical music. Most of all, I remember fragments from Symphony No. 40 by Wolfgang Amadeus Mozart and the ballet “Swan Lake” by Pyotr Ilyich Tchaikovsky, which were performed by some famous orchestras and recorded on these cassettes.

My later musical impressions, around the age of 7 or 8 – I first heard the music by “Queen”. Apparently, that’s why I work in many musical genres as a violinist, composer, singer-songwriter and a conductor too.


Photo Credit: An Vedi.